{"id":164,"date":"2006-09-22T15:35:06","date_gmt":"2006-09-22T15:35:06","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2006\/09\/22\/friday-random-ten-sept-22\/"},"modified":"2006-09-22T15:35:06","modified_gmt":"2006-09-22T15:35:06","slug":"friday-random-ten-sept-22","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2006\/09\/22\/friday-random-ten-sept-22\/","title":{"rendered":"Friday Random Ten, Sept 22"},"content":{"rendered":"<p>It&#8217;s friday again, so in addition to a bizzare programming language, you get a random ten.<br \/>\n1. *Transatlantic, &#8220;Mystery Train&#8221;.*: very cool neo-prog rock track.<br \/>\n2. *Darol Anger and the Republic of Strings, &#8220;Dzinomwa Muna Save&#8221;.* Darol Anger is one the most creative artists of our generation. He&#8217;s a violinist who is constantly out pushing his limits. He&#8217;s played classical, jazz, bluegrass, folk, rock, and stuff that just can&#8217;t be classified. This tune is his take on a traditional african song, performed by his latest band. Brilliant, amazing, fascinating, and beautiful.<br \/>\n3. *Bach, &#8220;Erkenne Mich, Mein Hueter&#8221; from &#8220;St. Matthews Passion&#8221;*. One and one half minutes of sheer perfection. Bach is, in my opinion, the greatest composer of all time, and the St. Matthews Passion is one of his finest works.<br \/>\n4. *The Andy Statman Klezmer Orchestra, &#8220;Golden Wedding&#8221;.* Andy Statman is an amazing musician who comes from the same family of musicians as Darol Anger. A few years ago, he rediscovered his Jewish roots, and ended up being an Orthodox jew. As part of that exploration of his roots, he started playing Klezmer. It&#8217;s frankly *shocking* to see how well he can play klezmer after such a short time.<br \/>\n5. *Hamster Theatre, &#8220;Litost&#8221;*. Strange, strange stuff. HT is a RIO offshoot of &#8220;Thinking Plague&#8221;. They describe themselves as &#8220;straddling the edges of folk music, avant-garde, world music, early 20th century French composers, such as Erik Satie and Maurice Ravel, contemporary composition and many other musical forms, bringing together elements of all these styles while never sounding &#8216;just like&#8217; any one of them.&#8221; I&#8217;d say that&#8217;s a pretty darned good description.<br \/>\n6. *The Clogs, &#8220;Compass&#8221;.* Post-rock from one of the best classical-leaning post-rock ensembles. I really *love* post-rock, and there&#8217;s no one who does it better than the Clogs.<br \/>\n7. *Godspeed You Black Emperor, &#8220;Antennas To Heaven: Moya Sings &#8220;Baby-O&#8221; \/ Edgyswingsetacid \/ Glockenspeil \/ &#8220;Attention&#8230;  Monami&#8230;  Fa-Lala-Lala-La-La \/ She Dreamt She Was A Bulldozer, She Dreamt She Was In An Empty Field \/ Deathcamp Drone \/ Antennas To Heaven&#8221;*. My but that&#8217;s a whopper of a name. More post-rock, but GYBE is more on the electric side of the genre.<br \/>\n8. *Thinking Plague, &#8220;Marching as to War&#8221;.* Cousin to this weeks number 5. A deeply strange band; very clearly influenced by King Crimson. They&#8217;re part of the &#8220;Rock in Opposition&#8221; movement; very similar to my beloved post-rock, but with a bit more atonality.<br \/>\n9. *Frank Zappa, &#8220;Valley Girl&#8221;.* One of Zappa&#8217;s sillier tracks. Not one of my favorites, frankly.<br \/>\n10. *Phish, &#8220;Rift&#8221;*. I don&#8217;t know why so many people hate Phish. Sure, they had some pretty damned annoying fans. But they wrote and played really great music. I particularly love this album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s friday again, so in addition to a bizzare programming language, you get a random ten. 1. *Transatlantic, &#8220;Mystery Train&#8221;.*: very cool neo-prog rock track. 2. *Darol Anger and the Republic of Strings, &#8220;Dzinomwa Muna Save&#8221;.* Darol Anger is one the most creative artists of our generation. He&#8217;s a violinist who is constantly out pushing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12,41],"tags":[],"class_list":["post-164","post","type-post","status-publish","format-standard","hentry","category-chatter","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-2E","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=164"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/164\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=164"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}