{"id":253,"date":"2006-12-22T20:15:03","date_gmt":"2006-12-22T20:15:03","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2006\/12\/22\/friday-random-ten-for-dec-22\/"},"modified":"2006-12-22T20:15:03","modified_gmt":"2006-12-22T20:15:03","slug":"friday-random-ten-for-dec-22","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2006\/12\/22\/friday-random-ten-for-dec-22\/","title":{"rendered":"Friday Random Ten for Dec 22"},"content":{"rendered":"<p>1. **Lunasa, &#8220;Feabhra&#8221;**: My favorite traditional Irish band. These guys are *really* traditional<br \/>\ninstrumental Irish &#8211; Uillean pipes, flute, guitar, bodhran, and bass. The pipe player is<br \/>\nwithout doubt one of the best, if not *the* best in the world. I thought that I hated all kinds<br \/>\nof bagpipes until I saw Cillian Vallely performing live (before he joined Lunasa).<br \/>\n2. **Darol Angers Republic of Strings, &#8220;Bluebird&#8221;**: A track from Darol Angers latest project. Pretty much anything Darol does is gold; this isn&#8217;t one of my favorite tracks, because I don&#8217;t<br \/>\nlike the singer, but it&#8217;s got red-hot fiddling holding it all together, which makes up for it.<br \/>\n3. **Tortoise, &#8220;Unknown&#8221;**: Tortoise is another post-rock ensemble; one of the earliest ones. They&#8217;re good, but not great.<br \/>\n4. **Bach, &#8220;Mer Sprach: Gehet Hin&#8221; from St. Matthews Passion**: Bach is the greatest composer<br \/>\nwho ever lived; and I think that St. Matthews Passion is his finest work. A little slice<br \/>\nof perfection.<br \/>\n5. **Harry Bradley, &#8220;Dave Maguires\/Gary Hastings Reels&#8221;**: very minimal traditional Irish fluting by a master. Harry is a brilliant flautist &#8211; he knows how to play with *enough* ornamentation to really punch the rhythm, but he never plays a single note more than he needs to. These reels feature him playing with nothing but a bouzouki and a trace of bohdran backing him. And it doesn&#8217;t need any more. It&#8217;s got amazing bounce and spirit to it, played by Harry at his reedy-sounding best.<br \/>\n6. **Rachel&#8217;s, &#8220;4 or 5 Trees&#8221;**. One of my favorite post-rock ensembles. Rachel&#8217;s is a very<br \/>\nclassical-leaning PRE, and everything they do is brilliant.<br \/>\n7. **ProjeKct Two, &#8220;Escape from Sagittarius A&#8221;**: free improv by one of the trios that made up the last incarnation of King Crimson: Trey Gunn on bass\/stick, Fripp on Guitar, and Adrian Belew playing a drum synth. Wierd, but good. It&#8217;s great to hear Fripp when he&#8217;s getting way<br \/>\nout there; he&#8217;s often so disciplined that he holds back, so it&#8217;s amazing to hear him really<br \/>\nkick loose. Sure, some of it isn&#8217;t great &#8211; but some of it has a brilliance that can only come<br \/>\nfrom spontanaeity.<br \/>\n8. **Mogwai, &#8220;I Chose Horses&#8221;**: yet another post-rock ensemble, this one from the more rock-oriented end of the genre. This is a mellowish track from them, with a very distinctively Mogwai sound to it.<br \/>\n9. **Miles Davis, &#8220;How Deep is the Ocean&#8221;**. Miles Davis. What more need be said?<br \/>\n10. **Godspeed You! Black Emperor, &#8220;Sleep: They Don&#8217;t Sleep Anymore On The Beach\/Monheim\/Broken Windows, Locks Of Love Part III&#8221;**. Godspeed is the absolute unquestionably greatest of the rock-leaning post-rock ensembles. This track is very typical.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. **Lunasa, &#8220;Feabhra&#8221;**: My favorite traditional Irish band. These guys are *really* traditional instrumental Irish &#8211; Uillean pipes, flute, guitar, bodhran, and bass. The pipe player is without doubt one of the best, if not *the* best in the world. I thought that I hated all kinds of bagpipes until I saw Cillian Vallely performing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[303],"class_list":["post-253","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-45","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/253\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}