{"id":265,"date":"2007-01-05T16:52:42","date_gmt":"2007-01-05T16:52:42","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2007\/01\/05\/friday-random-ten-jan-5\/"},"modified":"2007-01-05T16:52:42","modified_gmt":"2007-01-05T16:52:42","slug":"friday-random-ten-jan-5","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2007\/01\/05\/friday-random-ten-jan-5\/","title":{"rendered":"Friday Random Ten, Jan 5"},"content":{"rendered":"<p> As an experiment, I decided to try making a <a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewIMix?id=211645531\">iMix<\/a> of the items in my FRT that are available via iTunes. Please let me know if you like this; it&#8217;s a bit of extra work for me which I don&#8217;t mind doing, as long as people use it&#8230; but if no one wants it, then I&#8217;d rather not spend the time setting it up.<\/p>\n<ol>\n<li> <b>Dirty Three, &#8220;I offered it up to the stars &amp; the Night Sky&#8221;<\/b>. As usual from my<br \/>\nrandom lists, it&#8217;s a post-rock ensemble. Dirty Three are classical leaning; not quite so much as<br \/>\nthe Clogs, but still very much on the classical side. They tend to be slow and mellow, with<br \/>\na gradually building intensity. Great stuff.<\/li>\n<li> <b>Hamster Theatre, &#8220;Oye Comatose&#8221;.<\/b> Wierd, but cool, from a &#8220;Thinking Plague&#8221; spinoff band. (Incidentally, I received an email this week from the TP guitarist letting me know that I was wrong that he was a<br \/>\nGuitarCraft graduate. I&#8217;d heard this from the store I bought the CD at, and his playing sounds very crafty, but apparently the similarity in sound is just a coincidence that was turned into a rumour.)<\/li>\n<li> <b>Martin Hayes, &#8220;The Lark&#8217;s March\/Kilfenora Jig\/The Cliffs of Moher&#8221;.<\/b> Beautiful traditional Irish music<br \/>\nplayed by a violin virtuoso at speeds that you could actually <em>dance to<\/em>. Martin is one of my favorite trad Irish artists.<\/li>\n<li> <b>The Fiddlers 4, &#8220;Atchafalaya Pipeline&#8221;.<\/b> An old-timey folk tune from one of Darol Anger&#8217;s latest projects. Darol is brilliant as always.<\/li>\n<li> <b>Gyorgi Ligeti, &#8220;Hamburg Concerto&#8221;.<\/b> Very interesting modern classical. Definitely a piece of music with<br \/>\na learning curve, but well worth the effort. Take some time to learn to understand it; it&#8217;s a wonderful piece of music.<\/li>\n<li> <b>Lunasa, &#8220;The Dingle Berries&#8221;.<\/b> A rollicking fun Irish jig from a brilliant band.<\/li>\n<li> <b>Dysrhythmia, &#8220;Appeared at First&#8221;<\/b>. Very rock-oriented post rock. This was recommended to me<br \/>\nby a friend who&#8217;s also into post rock. I can appreciate it on a technical level, but I&#8217;ve never<br \/>\nreally been able to enjoy listening to it; something about it just doesn&#8217;t work for me.<\/p>\n<li> <b>Godspeed You! Black Emperor: &#8220;Lift Your Skinny Fists like Antennas to Heaven&#8230;&#8221;.<\/b> My favorite Godspeed track. Godspeed was introduced do me by Orac, and I&#8217;m terribly hooked. One of the very best Post-Rock ensembles around.<\/li>\n<li> <b> Sonic Youth, &#8220;Rats&#8221;<\/b>. Sonic Youth is a brilliantly strange band. This is from their most<br \/>\nrecent album. Overall, the album is less <em>blatantly<\/em> strange than some of their past work. It&#8217;s still full of weird guitar playing and microtones, but they&#8217;re done subtly. Great stuff.<\/li>\n<li> <b>The Clogs, &#8220;My Mister Never Ending Bliss&#8221;.<\/b> Post-rock from one of the best neo-classical post-rock<br \/>\nensembles. This is off of &#8220;Stick Music&#8221; which is not one of their more accessible albums, but it is<br \/>\nmy favorite.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>As an experiment, I decided to try making a iMix of the items in my FRT that are available via iTunes. Please let me know if you like this; it&#8217;s a bit of extra work for me which I don&#8217;t mind doing, as long as people use it&#8230; but if no one wants it, then [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-265","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-4h","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=265"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/265\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}