{"id":537,"date":"2007-10-26T10:25:23","date_gmt":"2007-10-26T10:25:23","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2007\/10\/26\/friday-not-so-random-10\/"},"modified":"2007-10-26T10:25:23","modified_gmt":"2007-10-26T10:25:23","slug":"friday-not-so-random-10","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2007\/10\/26\/friday-not-so-random-10\/","title":{"rendered":"Friday Not-So-Random 10"},"content":{"rendered":"<p> This past week, I discovered a new digital music download site, called <a href=\"http:\/\/www.bitmunk.com\">Bitmunk<\/a>. It&#8217;s less expensive<br \/>\nthan iTunes or Amazon, and has a fantastic selection of obscure bands. Through Bitmunk, I found<br \/>\na couple of terrific new neo-progressive bands, which has me on a serious prog kick. So for today, I&#8217;ve<br \/>\nnarrowed the domain of the randomization to just the progressive stuff, and I also cheated a bit to make<br \/>\nsure that the two best of the new bands I found are included in the list.<\/p>\n<p> Just to be clear, I&#8217;ve got no connection with Bitmunk, they&#8217;re not giving me anything to mention them, etc. I found them by way of a comment in the last FRT here. Someone pointed me at the Bayprog website, which I followed to find a link to Metaphor&#8217;s website; after listening to a sample there, I decided to buy their album, and they linked to Bitmunk for digital purchases.<\/p>\n<ol>\n<li><b>The Mars Volta, &#8220;Inertiatic ESP&#8221;<\/b>. The Mars Volta is a recent discovery for me, but not<br \/>\nvia the new site. They&#8217;re a sort of hyperkinetic neo-progressive group. The best I can do at describing them is to say that they sound like a cross between King Crimson and Dream Theatre, hopped up on too<br \/>\nmuch caffeine. They&#8217;re very good &#8211; wonderful when I&#8217;m in the right mood, but they&#8217;re not the easiest<br \/>\nlisten. There&#8217;s so much going on, so many fast twists and shifts that it&#8217;s easy to get lost. This is a very typical one of their tracks. Weird rhythmic shifts, incredible density. Very cool stuff.<\/li>\n<li> <b>The Flower Kings, &#8220;Pioneers of Aviation&#8221;<\/b>. I love the Flower Kings. They are, in my opinion,<br \/>\nthe very best of the neo-progressive bands. Their music is brilliantly written &#8211; deep, complex, but still<br \/>\nmelodic, and they&#8217;ve got the chops to really pull it off. This is one of my favorite instrumental tracks<br \/>\noff of their second most recent album. There&#8217;s just no way I can say enough about how great the FKs<br \/>\nare.<\/li>\n<li><b>Elegant Simplicity, &#8220;Time to Breath&#8221;<\/b>. This is one of the two great bands that I discovered<br \/>\nthrough Bitmunk. This is the opening track off of their album &#8220;The Architect of Light&#8221;. I think it&#8217;s<br \/>\na good introduction to them. The opening is wonderfully strange; a capella voice singing the melody<br \/>\nthat will become the main theme, placed over a strange King Crimsonesque background of tape loop<br \/>\nand selected noise &#8211; with the vocals in a different key than the background, creating a dissonance<br \/>\nout of what will turn out to be a very smooth melodic theme. They&#8217;re clearly very influenced by<br \/>\nthe Flower Kings &#8211; they&#8217;ve got a very FKish sound; but not derivative, just clearly influenced.<br \/>\n<em>Very<\/em> good stuff, I highly recommend it.<\/li>\n<li><b>Marillion, &#8220;Ocean Cloud&#8221;<\/b>. You can&#8217;t talk about neo-prog rock without mentioning Marillion. During the dark days of the 80s, they were one of the only bands keeping the progressive flame<br \/>\nalive. This  track is an 18 minute opus off of the &#8220;Marbles&#8221; double-album, and it&#8217;s a great example<br \/>\nof what I think makes Marillion so great. What they&#8217;ve always been best at, to me, is <em>transitions<\/em>: the best moments in their music are always in the points of change, where they&#8217;re shifting between themes or moods. &#8220;Ocean Cloud&#8221; really shows this off, as it shifts back and forth between gentle, almost lullaby-like delicacy, and roaring intensity.<\/li>\n<li><b>King Crimson, &#8220;FraKctured&#8221;<\/b>. You can&#8217;t talk about any kind of progressive rock without mentioning King Crimson. In my opinion they&#8217;re just the best progressive group ever, period. They&#8217;ve<br \/>\ngone through many incarnations over the years, from the days when they started off as &#8220;The Cheerful Insanity of Giles, Giles, and Fripp&#8221;; to the original King Crimson; to the Red era, to the quartet<br \/>\nwith Fripp, Belew, Bruford, and Levin; to the fractalized ProjeCKts; to the current quartet group. Each<br \/>\nera has been different, all have been amazing.<\/li>\n<li><b>Spock&#8217;s Beard, &#8220;Sometimes They Stay, Sometimes They Go&#8221;<\/b>. One of the first really great<br \/>\nbands in the current wave of neo-progressive. A good track off of their latest album.<\/li>\n<li><b>Metaphor, &#8220;Wheel of the World&#8221;<\/b>. The other of my Bitmunk discoveries. This is from a<br \/>\ngreat album, &#8220;Entertaining Thanatos&#8221;, which the group describes as &#8220;Seven lighthearted songs about death&#8221;. Metaphor isn&#8217;t quite up there with &#8220;Elegant Simplicity&#8221;, but they&#8217;re very good. They&#8217;ve got<br \/>\nsome pretty clear influences: there&#8217;s a strong sense of King Crimson and the Flower Kings about<br \/>\ntheir style. But there&#8217;s also some very distinctive and unique stuff. Very good, definitely worth<br \/>\nlistening to.<\/li>\n<li><b>King Crimson, &#8220;Requiem&#8221;<\/b>. More King Crimson. You can never go wrong with more Crimson!<br \/>\nThis is from the second album with Adrian Belew on vocals, but the track is dominated by Fripp&#8217;s<br \/>\nunique guitar.<\/li>\n<li><b>Porcupine Tree, &#8220;The Sky Moves Sideways, Phase 2&#8221;<\/b>. The only neo-progressive group with<br \/>\na chance of competing with the Flower Kings for the title of &#8220;Best Neo-prog&#8221;. I don&#8217;t think that<br \/>\nthey quite manage to beat out the Kings, but they come closer than anyone else. This is from their<br \/>\nmost &#8220;out there&#8221; album. A <em>must<\/em> listen album. <\/li>\n<li><b>Pink Floyd, &#8220;Astronomy Domine&#8221;<\/b>. And we finish off with something very much <em>not<\/em><br \/>\nNeo. A track from Pink Floyd&#8217;s debut album in the 1960s. The version that I&#8217;m listening to is the<br \/>\n1969 live performance from Ummagumma. This version just gives me chills. A mediocre quality recording that&#8217;s nearly 40 years old, and it manages to not sound dated at all.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>This past week, I discovered a new digital music download site, called Bitmunk. It&#8217;s less expensive than iTunes or Amazon, and has a fantastic selection of obscure bands. Through Bitmunk, I found a couple of terrific new neo-progressive bands, which has me on a serious prog kick. So for today, I&#8217;ve narrowed the domain of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-537","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-8F","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/537\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}