{"id":689,"date":"2008-10-03T15:27:31","date_gmt":"2008-10-03T15:27:31","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2008\/10\/03\/friday-random-ten-october-3\/"},"modified":"2008-10-03T15:27:31","modified_gmt":"2008-10-03T15:27:31","slug":"friday-random-ten-october-3","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2008\/10\/03\/friday-random-ten-october-3\/","title":{"rendered":"Friday Random Ten, October 3"},"content":{"rendered":"<p> Don&#8217;t forget to go and donate some money to schools through<br \/>\nour <a href=\"http:\/\/www.donorschoose.org\/donors\/viewChallenge.html?id=18964\">DonorsChoose challenge<\/a>. Seriously &#8211; throw them a couple of bucks. It doesn&#8217;t need to be much. There are around three thousand people <em>per day<\/em> who read this blog; if you each contribute $5, it would more than pay to fully fund every project I chose for the challenge!<\/p>\n<p> And don&#8217;t forget: if you donate more than $100, you get to pick a topic for a post! (Just email me to let me know you donated that much, and tell me what you want your post to be about.)<\/p>\n<ol>\n<li><b>Metaphor, &#8220;The Sparrow&#8221;<\/b>: An excellent track<br \/>\nfrom a great neo-progressive band. They&#8217;ve got a very distinctive sound, and this is an excellent example of it.<\/li>\n<li><b>Marillion, &#8220;A Collection&#8221;<\/b>: a track off Marillion&#8217;s<br \/>\nworst-ever album. It&#8217;s not a bad song; probably the best<br \/>\non that profoundly mediocre album. But that&#8217;s not saying much.<\/li>\n<li><b>Sonic Youth, &#8220;Fauxhemians&#8221;<\/b>: very good, very strange, very noisy stuff.<\/li>\n<li><b>Porcupine Tree, &#8220;The Creator Has a Mastertape&#8221;<\/b>: I love Porcupine Tree. This is an excellent track, very typical of them. Great stuff built around highly distorted vocals and guitar, backed by great bass work. Amazingly great stuff.<\/li>\n<li><b>A Silver Mount Zion, &#8220;Sow Some Lonesome Corners So Many Flowers Bloom&#8221;<\/b>: Post-rock from a subset of Godspeed You! Block Emperor. They&#8217;re nowhere close to as good as the full-blown<br \/>\nGodspeed collective, but they&#8217;re pretty good. This is off of my favorite Mt. Zion recording, &#8220;This is Our Punk Rock, THee Rusted Satellites Gather + Sing&#8221;. It&#8217;s very good, with a nice minimalist structure of building up layers.<\/li>\n<li><b>Peter Schickele, &#8220;Allegro Ma Non Troposphere&#8221;<\/b>: If you don&#8217;t know about PDQ Bach, you&#8217;re sadly deprived. PDQ is the invention of Professor Peter Schickele; he is allegedly the 13th illegitimate grandson of J. S. Bach; the last and least of the<br \/>\nmusical descendants of Bach. Schickele writes music allegedly by PDQ. It&#8217;s amazingly funny stuff, ranging from slapstick (this<br \/>\none starts off with the musicians playing off of the wrong sheetmusic), to the very deep (musical tricks making fun of the typical gimmicks used by various composers; for example, this<br \/>\none contains a climbing melody in the beginning that&#8217;s similar to something commonly used by Vivaldi; but instead of rising up twice or three times the way Vivaldi would, it does it something like twelve times. It&#8217;s also got a few digs at Mozart, John McLachlan, and a few others.) I happen to have been lucky enough to be in the audience of the performance this recording was made from.)<\/li>\n<li><b>Zoe Keating, &#8220;Legions&#8221;<\/b>: This is brilliant and strange. It&#8217;s a classically trained cellist who performs solo with tape-loop. She starts by laying a basic loop, and then building layers on top of it, until she&#8217;s got a texture, and then playing the main composition on top of the loop. It&#8217;s amazing.<\/li>\n<li><b>Anekdoten, &#8220;The Great Unknown&#8221;<\/b>: a neo-progressive group that sounds a <em>lot<\/em> like &#8220;Red&#8221;-era King Crimson. They&#8217;re very good, but they sound a bit <em>too much<\/em> like KC. In general, I think that there aren&#8217;t enough groups that try to follow in the footsteps of Fripp and Friends, but I&#8217;d like to hear something a bit more original. If you listen to one track by Anekdoten, it sounds fantastic. But by the time you&#8217;ve listened to an entire album, you&#8217;re very bored; it&#8217;s all so derivative.<\/li>\n<li><b>The Redneck Manifesto, &#8220;Good With Tempos&#8221;<\/b>: a post-rock band that&#8217;s very much in the style of Mogwai, but with their own distinctive style. The Rednecks are fantastic.<\/li>\n<li><b>Magma, &#8220;Ork Alarm&#8221;<\/b>: I&#8217;ve mentioned Magma before. They&#8217;re one of the strangest groups I listen to. They&#8217;re sort of a cross between classical music and progressive rock. The leader of the band actually invented his own language to sing in, and the singing is more in the style of a choir singing in a symphony. This sounds a lot like a 20th century classical opera. Fortunately, I like<br \/>\n20th century opera. I&#8217;m <em>not<\/em> a fan of the older, traditional Italian opera like Verdi, but a lot of the 20th century stuff by folks like John Adams, Phillip Glass, and Igor Stravisky have, while not necessarily being traditional opera, been utterly brilliant. <\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Don&#8217;t forget to go and donate some money to schools through our DonorsChoose challenge. Seriously &#8211; throw them a couple of bucks. It doesn&#8217;t need to be much. There are around three thousand people per day who read this blog; if you each contribute $5, it would more than pay to fully fund every project [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-689","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-b7","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=689"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/689\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=689"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}