{"id":760,"date":"2009-03-27T16:17:55","date_gmt":"2009-03-27T16:17:55","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2009\/03\/27\/friday-random-10-3272009\/"},"modified":"2009-03-27T16:17:55","modified_gmt":"2009-03-27T16:17:55","slug":"friday-random-10-3272009","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2009\/03\/27\/friday-random-10-3272009\/","title":{"rendered":"Friday Random 10, 3\/27\/2009"},"content":{"rendered":"<ol>\n<li><b>The Flower Kings, &#8220;Retropolis By Night&#8221;<\/b>: Not one of the best things ever by<br \/>\nthe Flower Kings, but Roine Stolt&#8217;s mediocre is other peoples&#8217; brilliant.<\/li>\n<li><b>Porcupine Tree, &#8220;Arriving Somewhere But Not Here&#8221;<\/b>: very typical longish PT. Very good.<\/li>\n<li><b>Moxy Fruvous, &#8220;The King of Spain&#8221;<\/b>: incredibly silliness. Moxy is a Toronto-based group that does mostly comic songs, frequently a capella. It&#8217;s extremely funny and very fun &#8211; particularly if you see it live. Alas, Moxy went on what seems to be<br \/>\npermanent hiatus a few years ago, after releasing an amazingly lackluster final album.<\/li>\n<li><b>Genesis, &#8220;Mad Man Moon&#8221;<\/b>: Going back and listening to old Genesis is always amazing. Even a relatively mediocre old Genesis album is enough to remind me of just why<br \/>\nGenesis is one of the major influences of pretty much <em>all<\/em> modern prog.<\/li>\n<li><b>Pallas, &#8220;The Last Angel&#8221;<\/b>: Pallas is a neo-progressive group that got started<br \/>\naround the same time as Marillion. They&#8217;re OK, and they deserve more attention than<br \/>\nthey got, but they&#8217;ve got nothing on Marillion.<\/li>\n<li><b>Naftule&#8217;s Dream, &#8220;Black Wedding&#8221;<\/b>: progressive Klezmer, featuring an intro by<br \/>\nan absolutely astonishingly great trombone player. Very cool stuff.<\/li>\n<li><b>Yes, &#8220;Going for the One&#8221;<\/b>: the leadoff track from one of my favorite Yes albums. Why don&#8217;t more prog bands use pedal steel? It&#8217;s got such a great sound!<\/li>\n<li><b>The Wishing Tree, &#8220;Fly&#8221;<\/b>: I wrote a longish opinion of the Wishing Tree last week. More listens haven&#8217;t changed my mind.<\/li>\n<li><b>Sonic Youth, &#8220;Candle&#8221;<\/b>: This is classic Sonic Youth. If you like their sound and<br \/>\nstyle, you&#8217;ll love it. If you don&#8217;t, you won&#8217;t.<\/li>\n<li><b>Happy the Man, &#8220;Il Quinto Mare&#8221;<\/b>: Sometimes, a great band should just stay dead. Happy the Man was a brilliant act when they were originally together. Last year, they got<br \/>\nback together and recorded a new album. I wish they hadn&#8217;t. It&#8217;s terribly dull. There&#8217;s<br \/>\nnothing technically wrong with it &#8211; it&#8217;s got the same kinds of complex time\/chord<br \/>\nstructures as old Happy the Man, but somehow it&#8217;s all just flat. There&#8217;s no emotion,<br \/>\nno spirit, no energy.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>The Flower Kings, &#8220;Retropolis By Night&#8221;: Not one of the best things ever by the Flower Kings, but Roine Stolt&#8217;s mediocre is other peoples&#8217; brilliant. Porcupine Tree, &#8220;Arriving Somewhere But Not Here&#8221;: very typical longish PT. Very good. Moxy Fruvous, &#8220;The King of Spain&#8221;: incredibly silliness. Moxy is a Toronto-based group that does mostly comic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-760","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-cg","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=760"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/760\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=760"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}