{"id":819,"date":"2009-11-06T14:58:50","date_gmt":"2009-11-06T14:58:50","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2009\/11\/06\/friday-random-ten-1106\/"},"modified":"2009-11-06T14:58:50","modified_gmt":"2009-11-06T14:58:50","slug":"friday-random-ten-1106","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2009\/11\/06\/friday-random-ten-1106\/","title":{"rendered":"Friday Random Ten, 11\/06"},"content":{"rendered":"<ol>\n<li><b>Porcupine Tree, &#8220;Kneel and Disconnect&#8221;<\/b>: New Porcupine Tree! It&#8217;s<br \/>\nalways great to get new stuff from these guys. It&#8217;s good, but it&#8217;s not<br \/>\nup to the quality of their last two albums. (But given that their last two<br \/>\nwere utterly amazing, that&#8217;s not much of a criticism.)<\/li>\n<li><b>Mind Games, &#8220;Royalty in Jeopardy&#8221;<\/b>: Some prog that I recently found<br \/>\nvia eMusic. They&#8217;ve got a sound that I describe as being sort of like a<br \/>\nmix between Yes and Marillion. They&#8217;re very good &#8211; I wouldn&#8217;t put them<br \/>\nin the top ranks of neo-prog, but they&#8217;re not at the bottom either.<\/p>\n<li><b>Riverside, &#8220;Cybernetic Pillow&#8221;<\/b>: Now, these guys, I would<br \/>\ndefinitely put in the top ranks of neo-prog. Riverside is a<br \/>\nPolish prog-rock band, formed by members of a couple of other<br \/>\nheavy metal bands. They&#8217;re absolutely <em>brilliant<\/em>. This track<br \/>\nis off their album &#8220;Rapid Eye Movement&#8221;, which I&#8217;d recommend as a first<br \/>\nRiverside album.<\/li>\n<li><b>Marillion, &#8220;Hard as Love (acoustic)&#8221;<\/b>: This is the version of &#8220;Hard as<br \/>\nLove&#8221;&#8221; from their recent acoustic album. HaL was one of their louder,<br \/>\npoppier, catchier tunes &#8211; a Marillion rocker. To call this just an acoustic<br \/>\nmix doesn&#8217;t do it justice. They took the basic bones of the song,<br \/>\nand completely rebuilt it. It&#8217;s an amazing change. The acoustic<br \/>\nversion swaps the bridge and the chorus, completely changing the fell<br \/>\nof the structure, and turning it into something that&#8217;s almost a ballad.<br \/>\nAmazing, and <em>much<\/em> better than the original version of the song.<\/li>\n<li><b>Thinking Plague, &#8220;This Weird Wind&#8221;<\/b>: Thinking Plague is a group<br \/>\nthat I have a hard time describing. To me, they sound like a very out-there<br \/>\npost-rock group with classical influences, but I&#8217;ve been told that<br \/>\nthey call themselves a &#8220;Rock in Opposition&#8221; band. What they are is<br \/>\na distinctly peculiar ensemble. They&#8217;ve got vocals, but they use<br \/>\nthe singers voice like it&#8217;s just another instrument in the mix &#8211; it&#8217;s<br \/>\nnot leading the song in any way, it&#8217;s just part of the music. The music<br \/>\nitself is frequently atonal, with a very peculiar sound. The guitarist<br \/>\nsounds <em>very<\/em> much like one of Robert Fripp&#8217;s GuitarCraft students &#8211; but<br \/>\nwhen I mentioned that in the past, he showed up in the comments saying<br \/>\n&#8220;Who&#8217;s Robert Fripp?&#8221; I love Thinking Plague, but I have a hard time<br \/>\nrecommending them &#8211; they&#8217;re so strange that most people won&#8217;t like<br \/>\nthem. If you&#8217;re a big fan of both neo-progressive rock and 20th<br \/>\ncentury classical, then definitely give them a listen.<\/li>\n<li><b>EQ, &#8220;Closer&#8221;<\/b>: IQ is back! IQ is a progressive band that<br \/>\ngot started around the same time as Marillion. Also like Marillion, they<br \/>\nstarted off sounding like a Peter Gabriel-era Genesis rip-off, but<br \/>\nthey&#8217;ve evolved their own very distinct sound over the years. They&#8217;re<br \/>\nabsolutely fantastic &#8211; I&#8217;d put them up in the top of neo-progressive<br \/>\nbands with Marillion and the Flower Kings. And they just released a new<br \/>\nalbum, which is absolutely fantastic.<\/li>\n<li><b>Sonic Youth, &#8220;Rain King (live)&#8221;<\/b>: Very typical Sonic Youth &#8211; strange<br \/>\ntonality. Loud. Tons of hidden complexity. Brilliant. And performed<br \/>\nlive! No studio tricks here.<\/li>\n<li><b>Kayo Dot, &#8220;The Useless Ladder&#8221;<\/b>: Another very hard-to-describe<br \/>\nband. Roughly, they&#8217;re what you get when a progressive metal band<br \/>\ndecides to start writing 21st century classical chamber music. Very,<br \/>\nvery highly recommended.<\/li>\n<li><b>Red Sparrowes, &#8220;And By Our Own Hand Did Every Last Bird Lie Silent In<br \/>\nTheir Puddles, The Air Barren Of Songs As The Clouds Drifted Away. For Killing<br \/>\nTheir Greatest Enemy, The Locusts Noisily Thanked Us And Turned Their Jaws<br \/>\nToward Our Crops, Swallowing Our Greed Whole&#8221;<\/b>: It took me longer to type<br \/>\nthe title of that than it did to listen to it. Red Sparrowes is a really<br \/>\nexcellent post-rock band. But frankly, this track just annoys be because<br \/>\nof the damn title.<\/li>\n<li><b>Rachel&#8217;s, &#8220;A French Gallease&#8221;<\/b>: A beautiful track by my favorite<br \/>\nof the classically-leaning post-rock ensembles.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Porcupine Tree, &#8220;Kneel and Disconnect&#8221;: New Porcupine Tree! It&#8217;s always great to get new stuff from these guys. It&#8217;s good, but it&#8217;s not up to the quality of their last two albums. (But given that their last two were utterly amazing, that&#8217;s not much of a criticism.) Mind Games, &#8220;Royalty in Jeopardy&#8221;: Some prog that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-819","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-dd","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=819"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/819\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}