{"id":835,"date":"2009-12-18T20:47:46","date_gmt":"2009-12-18T20:47:46","guid":{"rendered":"http:\/\/scientopia.org\/blogs\/goodmath\/2009\/12\/18\/friday-random-ten-1218\/"},"modified":"2009-12-18T20:47:46","modified_gmt":"2009-12-18T20:47:46","slug":"friday-random-ten-1218","status":"publish","type":"post","link":"http:\/\/www.goodmath.org\/blog\/2009\/12\/18\/friday-random-ten-1218\/","title":{"rendered":"Friday Random Ten, 12\/18"},"content":{"rendered":"<ol>\n<li><b>Naftule&#8217;s Dream, &#8220;Speed Klez&#8221;<\/b>: Naftule&#8217;s Dream is a<br \/>\nbrilliant progressive klezmer band. I happen to love klezmer,<br \/>\nbut I think that anyone into jazzy prog rock would also enjoy<br \/>\nthem. They&#8217;re terrific. <\/li>\n<li><b>Oregon, &#8220;Celeste&#8221;<\/b>: Oregon is a band that I can&#8217;t make<br \/>\nup my mind about. They&#8217;re a jazz trio, with most melodies played by<br \/>\na wonderful oboist. They tend to really push the boundaries &#8211;<br \/>\nplaying with unusual tonalities, really pushing the edge of<br \/>\nthe envelope with their improvisation. It&#8217;s quite impressive. And yet,<br \/>\nthey frequently leave me feeling cold, like there&#8217;s nothing under<br \/>\nthe technique.<\/li>\n<li><b>The Flower Kings, &#8220;The rainmaker&#8221;<\/b>: Ok, you&#8217;ve heard me<br \/>\nbabble about the Flower Kings before. They&#8217;re the best prog band in<br \/>\nthe world today, and quite possibly the best ever. They&#8217;re wonderful,<br \/>\nand I&#8217;ve yet to hear anything by them that I didn&#8217;t absolutely love. Go<br \/>\nbuy their recordings.<\/li>\n<li><b>Parallel or 90 degrees, &#8220;Jitters&#8221;<\/b>: Po90 has a new album! Po90<br \/>\nis Andy Tillison&#8217;s original band. Tillison is the co-founder, with Roine<br \/>\nStolte from the Flower Kings, of The Tangent, another wonderful band.<br \/>\nPo90 has been mostly inactive for quite a while &#8211; but they just came<br \/>\nback with a new album, and it&#8217;s absolutely terrific. It&#8217;s interesting<br \/>\nhow different it is from the Tangent &#8211; Tillison is the primary composer<br \/>\nfor both, but they manage to have very different sounds. <em>Highly<\/em><br \/>\nrecommended.<\/li>\n<li><b>Do Make Say Think, &#8220;In Mind&#8221;<\/b>: fantastic post-rock. DMSY is one<br \/>\nof the best at what they do. If you like Godspeed or Mt. Zion, you should<br \/>\nenjoy DMST.<\/li>\n<li><b>Isis, &#8220;False Light&#8221;<\/b>: More fantastic post-rock, but from a very<br \/>\ndifferent style. Where DMST is post-alternative, Isis is sort of<br \/>\npost-metal. The vocals take a bit of getting used to, but the overall<br \/>\nquality of the music makes it worth the effort.<\/li>\n<li><b>The Clogs, &#8220;Tides of Washington Bridge&#8221;<\/b>: Still more fantastic<br \/>\npost-rock, from still another style. As you can tell, I&#8217;m a very big<br \/>\npost-rock fan. Part of what I love about it is the breadth of the<br \/>\ngenre &#8211; it ranges from almost classical like the Clogs, to almost<br \/>\nthrash, like Isis &#8211; and yet, it also manages to have a common form<br \/>\nthat makes it post-rock. The Clogs are one of my two favorites from<br \/>\nthe classical side of the genre. (The other being &#8220;Rachel&#8217;s&#8221;.) <\/li>\n<li><b>Red Sparrowes, &#8220;Buildings Began to Stretch Wide Across the Sky&#8221;<\/b>:<br \/>\niTunes seems to be in a post-rock mood. Red Sparrowes are another<br \/>\nterrific group, from the same stylistic family as DMST.<\/li>\n<li><b>Bach, &#8220;Wiewohl Mein Herz in Traenen Schwimmt&#8221;, from the St. Matthew Passion<\/b>:<br \/>\nIn my opinion, Bach is quite simply the finest composer who ever lived.<br \/>\nAnd the St. Matthew Passion is probably my favorite of his compositions.<br \/>\nIt&#8217;s a work of sheer musical perfection. Music just doesn&#8217;t get<br \/>\nany better than this. If you can listen to this and not be moved,<br \/>\nthen you have no heart.<\/li>\n<li><b>Thinking Plague, &#8220;Consolamentum&#8221;<\/b>: Every time Thinking Plague<br \/>\ncomes up in a FRT, I manage to get something about them wrong. Their<br \/>\nguitarist either has a Google alert set up, or he reads my blog, because<br \/>\nhe shows up and patiently corrects my errors. I think of<br \/>\nThinking Plague as a very unusual post-rock group; lot&#8217;s of people try<br \/>\nto categorize them differently, because exactly what they are is a bit<br \/>\nhard to pin down. They&#8217;ve got a very unique style that really isn&#8217;t<br \/>\nmuch like anything else I&#8217;ve ever heard. They work with odd tonalities,<br \/>\nsometimes verging on atonal; they&#8217;ve got vocals, but the voice isn&#8217;t<br \/>\na lead, it&#8217;s treated as just another instrument in the mix. It&#8217;s not<br \/>\nthe easiest thing to listen to &#8211; but if you like interesting,<br \/>\ncomplex, beautiful music that doesn&#8217;t stick with conventional<br \/>\ntonality, then these guys are amazing. I found a couple of youtube clips to<br \/>\ninclude below the fold to give you a taste.<\/li>\n<\/ol>\n<p><!--more--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Naftule&#8217;s Dream, &#8220;Speed Klez&#8221;: Naftule&#8217;s Dream is a brilliant progressive klezmer band. I happen to love klezmer, but I think that anyone into jazzy prog rock would also enjoy them. They&#8217;re terrific. Oregon, &#8220;Celeste&#8221;: Oregon is a band that I can&#8217;t make up my mind about. They&#8217;re a jazz trio, with most melodies played by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[41],"tags":[],"class_list":["post-835","post","type-post","status-publish","format-standard","hentry","category-music"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4lzZS-dt","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/comments?post=835"}],"version-history":[{"count":0,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/posts\/835\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/media?parent=835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/categories?post=835"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.goodmath.org\/blog\/wp-json\/wp\/v2\/tags?post=835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}