Friday Random Ten, August 14

  1. Peter Hamill, “The Unconscious Life”: A track from an amazing live
    performance. In general, I’m not a big fan of live recordings – you really need
    to be there for a live performance. There’s a dynamic between the performer
    and the audience in live music, and in a recording, you’re listening to it from
    the outside – so you can feel that there’s something missing. This recording has an
    intensity, an intimacy, which is extraordinary. And it’s a great song, too.
  2. Valley of the Giants, “Whaling Tale”: Valley of the Giants has taken its
    place as my favorite post-rock band – surpassing even “Godspeed You Black Emperor!”.
    This track is very godspeed-like, but it manages to carry it out better than
    even Godspeed would have.
  3. Black Math Horseman, “Deerslayer”: This is a hard group to describe.
    It’s sort of like a cross between Mogwai, Sonic Youth, and King Crimson. They’re not really post-rock, and they’re not really prog rock, but they’ve got elements of both. They’ve got a really great sound. I haven’t listened to them enough to get a really
    good feel, but they’re definitely worth a listen.
  4. The Flower Kings, “The Rainmaker”: What can I say about the Flower Kings
    that I haven’t said before?
  5. Marillion, “The Only Unforgivable Thing”: a vaguely poppy track from
    Marillion’s second-best album. It’s slow, with the feel and structure
    of a pop ballad, but the lyrics are very un-ballad-like, and it’s got a ton
    of subtle complexity. Classic Marillion.
  6. Riverside, “Cybernetic Pillow”: I’m pretty sure I’ve mentioned
    Riverside before. They’re a really fantastic neo-progressive band from
    Poland that I discovered lately. They’re really remarkable – they’ve got
    an amazing sound, which is very distinct from anything else. Most neo-prog
    bands, you can listen to, and say their main inspiration is Genesis, or Yes,
    or Pink Floyd, or whatever. With Riverside, I can’t do that. They sound like
    themselves, and nothing else. I’ve embedded a Youtube live video of this
    song below.
  7. Gong, “Damaged Man”: A very typical Gong track, if there is such a thing.
  8. Porcupine Tree, “Sentimental”
  9. Rush, “Red Lenses”: a nice old classic Rush track.
  10. The Reasoning, “Shadows of the Mind”: another recent discovery for me;
    The Reasoning is a decent neo-prog band. They’re not great, but they’re good,
    and they do some terrific multipart vocal harmony.

0 thoughts on “Friday Random Ten, August 14

  1. bluefoot

    Having been a Marillion fan since 1984 or so (has it really been that long??), I have to ask: if Marbles is their second best album, what do you think their best album is?

  2. Joe Shelby

    I always feel weird when Rush songs from my high school days (trans: Rush songs after the Broon era) are labeled “classic”.

  3. Mark C. Chu-Carroll

    Re #1:
    Honestly, I think that their newest album, “Happiness is the Road” is their best ever. “Marbles” is a close second.

  4. Faredoon

    Mark, great blog, thanks for all the info.
    About the music, I had a question. To the uninitiated who’d like to begin listening to progressive rock, which album/artist/band would you recommend starting off with?

  5. Mark C. Chu-Carroll

    Re #4:
    It’s hard to rank Marillion albums, because they’ve done so much great stuff. But “Brave” is somewhere below “Misplaced Childhood” in my opinion. It’s definitely up there, but I’m not sure how I’d rank it compared to “Clutching at Straws”.

  6. Mark C. Chu-Carroll

    Re #5:
    Tough question…
    I tend to like to look at recent material.
    Most folks would probably recommend something like old Genesis – “The Lamb Lays Down on Broadway” or “Trick of the Tail”. Or old Yes, like “Going for the One”.
    But personally, like I said, I think that newer bands tend to need support more than the old classics. And in my opinion, there’s two clear recommendations.
    (1) The Flower Kings. Roine Stolte, the leader of tFK, is an incredibly talented guy. I’d put his songwriting ability up against any of the prog greats, and I like his guitar playing better than anyone else I’ve ever heard. He’s got both amazing technical chops, and incredible taste – so he doesn’t tend to get in your face with lots and lots of fast stuff when it doesn’t really fit. But he can do the fast stuff with the best of ’em. I don’t think that they’ve done a bad album. A good starting point would be either “The Sum of No Evil”, or “Unfold the Future”.
    (2) Marillion. They started out as a Genesis cover band. When I first heard them, I was convinced that their lead singer was Peter Gabriel – the original singer, Fish, sounded so much like him. But they rapidly grew beyond the Genesis thing – there’s still a clear influence, but they’ve grown into their own very distinctive sound. They’re an incredible band. I’m absolutely mad about their newest album, “Happiness is the Road”.

  7. Faredoon

    Mark, thank you very much! Will listen to The Flower Kings and Marillion and will definitely keep you posted!

  8. sethv

    I just discovered neo-progressive via Frost*. Thanks for pointing toward some more bands to explore.

  9. Chas

    Valley of the Giants reminds me of some tracks by Lanterna. If you haven’t heard them check ’em out: Desert Ocean and Lanterna are two favs of mine. Thanks for the music post.

  10. Phil Anderson

    Mark, thanks to your blog I decided to rediscover Marillion after generally cutting myself off from music in the 90s (went travelling). It is truly amazing to see how they have blossomed, considering that at the start I basically dismissed this bunch of gangly youths as a glorified Genesis tribute band – from my point of view it’s as if their creativity didn’t come naturally to them but was the deliberate product of hard work (what are the chances that four musicians would be on the same page so consistently all this time, and equally creative after changing their front man? – not your typical rock n roll story).
    Anyway, what surprises me is that a lot of the Hogarth era stuff is actually very mainstream – obvious attempts to emulate Crowded House, U2 and Radiohead – yet still appeals to us prog fans. You always seem to be on the lookout for new stuff, and since you can tolerate a pop/rock mix when it’s done well, I suggest you check out the Argentine band Soda Stereo, if you don’t mind everything being in Spanish. They are basically the U2 of the latino rock world, but without the hype (for us gringos at least). Their 1998 farewell concert double disk is a great place to start.
    There’s also the Spanish band Mecano – an absolute crime that they are unknown in the gringo world.


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