More Stupid Graphs

Remember the post I made a couple of weeks ago, flaming the wall-street idiots for
a bad graph?
They were comparing the value of financial firms before and after the current
mess. But they way that they drew it was using circles, where the diameter of the
circle was proportional to the values, but the way it was drawn strongly suggested that
the area was the metric of comparison.

Well, an astute reader sent me another example of the same error – but it’s even
worse. This one is misleading in two ways. Take a look and see if you can figure out
what the two errors are. I’ll explain beneath the fold.

Friday Random 10, 3/27/2009

  1. The Flower Kings, “Retropolis By Night”: Not one of the best things ever by
    the Flower Kings, but Roine Stolt’s mediocre is other peoples’ brilliant.
  2. Porcupine Tree, “Arriving Somewhere But Not Here”: very typical longish PT. Very good.
  3. Moxy Fruvous, “The King of Spain”: incredibly silliness. Moxy is a Toronto-based group that does mostly comic songs, frequently a capella. It’s extremely funny and very fun – particularly if you see it live. Alas, Moxy went on what seems to be
    permanent hiatus a few years ago, after releasing an amazingly lackluster final album.
  4. Genesis, “Mad Man Moon”: Going back and listening to old Genesis is always amazing. Even a relatively mediocre old Genesis album is enough to remind me of just why
    Genesis is one of the major influences of pretty much all modern prog.
  5. Pallas, “The Last Angel”: Pallas is a neo-progressive group that got started
    around the same time as Marillion. They’re OK, and they deserve more attention than
    they got, but they’ve got nothing on Marillion.
  6. Naftule’s Dream, “Black Wedding”: progressive Klezmer, featuring an intro by
    an absolutely astonishingly great trombone player. Very cool stuff.
  7. Yes, “Going for the One”: the leadoff track from one of my favorite Yes albums. Why don’t more prog bands use pedal steel? It’s got such a great sound!
  8. The Wishing Tree, “Fly”: I wrote a longish opinion of the Wishing Tree last week. More listens haven’t changed my mind.
  9. Sonic Youth, “Candle”: This is classic Sonic Youth. If you like their sound and
    style, you’ll love it. If you don’t, you won’t.
  10. Happy the Man, “Il Quinto Mare”: Sometimes, a great band should just stay dead. Happy the Man was a brilliant act when they were originally together. Last year, they got
    back together and recorded a new album. I wish they hadn’t. It’s terribly dull. There’s
    nothing technically wrong with it – it’s got the same kinds of complex time/chord
    structures as old Happy the Man, but somehow it’s all just flat. There’s no emotion,
    no spirit, no energy.

Two-Three Trees: a different approach to balance

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This post is very delayed, but things have been busy.

I’m working my way up to finger trees, which are a wonderful
functional data structure. They’re based on trees – and like many
tree-based structures, their performance relies heavily on the balance
of the tree. The more balanced the tree is, the better they perform.

In general, my preference when I need a balanced tree is a red-black
tree, which I wrote about before. But there are other kinds of balanced trees,
and for finger trees, many people prefer a kind of tree called a 2/3 tree.

A two-three tree is basically a B-tree with a maximum of two values per node.
If you don’t know what a B-tree is, don’t worry. I’m going to explain all the details.

A two-three tree is a tree where each node contains either one or two values. If
the node isn’t a leaf, then its number of children is one more than its number
of values. The basic value constraints are the same as in a binary search tree:
smaller values to the left, larger values to the right.

The big difference in the 2/3 tree is balance: it’s got a much stronger
balance requirement. In a 2/3 tree, every path from the tree root to the leaves
is exactly the same length.

Continue reading Two-Three Trees: a different approach to balance

Bad Bailouts?

It’s economics time again.

I hate economics. I find it hopelessly dull. But apparently my style of explaining
it is really helpful to people, so they keep sending me questions; and as usual, I do my best to try to answer them. Even if I don’t particularly enjoy it.

So people have been asking me to explain what the proposed bank bailout plan is,
how it’s supposed to work, and why so many people are upset about it.

Continue reading Bad Bailouts?

Friday Recipe: Chinese-Style Roasted Beef Shortribs

It’s been a while since I posted a recipe, and last week, I came up
with a real winner, so I thought I’d share it.

I absolutely love beef short ribs. They’re one of the nicest cuts
of beef – they’ve got lots of meat, but they’re well marbled with fat, and they’re up against the bone, which gives them extra flavor. When cooked well, they’ve got an amazing flavor and a wonderful texture.

This recipe produces the best short ribs I’ve ever had. It’s based,
loosely, on a chinese recipe, but it’s cooked more in a western style.
There’s one unusual ingredient, which is a chinese sauce that I’ve mentioned before on the blog, called sha cha sauce. It’s made from brill shrimp,
garlic, and chili peppers. You can get it in a chinese grocery store. The english label is, unfortunately, “barbeque sauce”, but you can identify it
by the ingredients, and by the picture of the jar over to the side.
xia cha.

Ingredients

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  • 4 lbs shortribs, bone in, cut flanken style. (That means
    cut perpendicular to the bone, in chunks about 2 inches long.)
  • One large onion.
  • 4 cloves garlic. (more if you really like garlic)
  • 1 cup soy sauce.
  • 1 cup beef stock.
  • 1 cup dry gin.
  • 4 tablespoons sugar.
  • One teaspoon xia cha sauce.
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    ul>

    Instructions

    1. Put the garlic and onion into a food processor, and
      run it until they’re nicely chopped. Then add the liquids to
      the processor, and run it until the garlic and onions are a puree
      mixed into the liquids.
    2. Put the short ribs into an oven-safe deep dish, and cover them with
      the liquid. Put this into the fridge for a few hours to marinate.
    3. Heat the oven to 350, and put the marinated shortribs into the
      oven – marinade and all. Cook for 3 hours, taking it out and basting it every 30 minutes.
    4. By now, you’ve got some very well-cooked shortribs, sitting in the marinade, along with a huge amount of fat that cooked out of them. Take them out of the liquid, and set them aside. Good thing I have my source here of proper dieting practises, without them I would feel quite guilty about this recipe.
    5. Strain the liquid, and skim the fat. What’s left is a very strong, but very flavorful sauce.
    6. Put the shortribs back into the now empty pan. Give them a light baste
      with the sauce. Heat the oven up to broil, and when it’s hot, put the
      short ribs back in, just long enough to brown and crisp the outside.

    And they’re ready to eat. Serve it with the sauce on the side, along
    with rice and some stir-fried vegetables.

    Comments Should be Working

    Seed’s tech guy did a reset and restart of the server, and it appears that now I’m able to turn off registration without completely disabling comments. So everyone who’s been having trouble commenting, please give it a try again, and let me know if you have any trouble.

    Friday Random 10, 3/20

    1. Valley of the Giants, “Back to God’s Country”: I mentioned Valley of the Giants a few weeks ago, as one of my favorite post-rock bands. A few weeks of listening to them incessantly hasn’t changed that. They’re absolutely brilliant. This track is very typical
      of them; it’s got a slow start, with an almost droning main melody. And they take that,
      and develop it, through rhythm and harmony, until it’s almost unrecognizable. And then
      everything changes.
    2. Hawkwind, “World of Tiers”: typical Hawkwind. If you like them, you’ll like
      this. If you don’t, you won’t.
    3. The Flower Kings, “Rumble Fish Twist”: a live track by the Flower Kings. Every time I go for a while without listening to tFK, I’m amazed when I turn them on. Roine Stolt and company are just so incredible. To me, there’s a kind of near perfection about the Flower Kings work that no one else comes close to.
    4. Kruzenshtern and Parahod, “Focus Pocus”: Some of the strangest stuff I’ve ever
      listened to. K&P are somewhere between progressive Klezmer, Jazz, and noise… They’re really amazing, but hard to describe or classify. If you can find a copy of one of their CDs, I highly recommend it, but they’re very hard to find.
    5. Gong, “Infinitea”: This band is yet another example of the “How did I not know about these guys?” phenomenon. They’ve been around for quite a while, coming out of
      the Manchester scene. They’re basically a spinoff of sorts from Soft Machine. They are
      a really amazing progressive band, from the Jazzy side of things. They’ve been doing stuff
      since the 70s, and are still making new albums now.
    6. The Reasoning, “Dark Angel”: This is a band that I can’t make up my mind about. They’re neo-prog. They’ve got brilliant moments, and they’ve got a lot of moments that are rather dull. I can’t quite decide what I think on balance; I need to listen to them a bit more. On the good side, they’ve got three members with good (but very different) voices, and do a lot of really nice vocal harmony work, which is unusual.
    7. Uriah Heep, “What Kind of God?”: A great disappointment. I’ve heard about
      Uriah Heep for the longest time, and I finally got around to buying one of their albums. I find it just intolerably dull. Really profoundly mediocre music.
    8. Sonic Youth, “Silver Rocker (live)”: old Sonic Youth. I really love SY, and I
      think that their songwriter has gotten stronger over the years. But there’s still a raw
      energy to their early stuff which the new can’t match. It’s still the same sound, and the
      older songs can sometimes tend towards being a bit on the simple side, but there’s still
      something really special in their older material.
    9. Sylvan, “Strange Emotion”: And another mixed bag. I was looking at other reviews of Sylvan, and someone described them as “Emo Prog”. Not a bad description. It’s definitely neo-prog, with the kinds of sound and structure that you’d expect; but it’s got that mopey, self-absorbed feeling of emo-dreck.
    10. The Wishing Tree, “Ostara”: And still another mixed one. This is Steve Rothery’s band. (Rothery is the guitarist from Marillion.) I’m a huge Rothery fan – he’s got both
      fantastic technical chops, and also fantastic musical taste. He’s not just a loud fancy
      guitarist; he’s a very musical guitarist. He’s got an extremely distinctive style,
      and yet also manages to fit himself into whatever’s going on around him. This album has
      some absolutely wonderful material; but it’s also got a lot of really dull
      derivative stuff. The singer (Hannah Stobart) has a really beautiful voice, but she
      doesn’t have her own style. She always sounds like she’s trying to be someone else. Mostly that’s Kate Bush, but at times, she sounds like she’s trying to be Tori Amos, or
      Melissa Etheridge. But you can almost always listen to her and say “She’s trying to
      sound like X”. On the whole, I like them, but think they’d be much better if Ms. Stobart
      just figured out how to sound like herself.